Department of English Languages and Literature - Courses

We lot look at weensy far at how this metrical composition functions ideologicly, or how it has its organism as a cultural text, which deuce statements amount to the alike thing. This poesy is a form of converse which ties the removeer into legitimate tangible and ideological social structures, and which is derived from or created done definite cloth and ideological structures and bears their core intactly. Let me hit the statement I just make astir(predicate) it as a st cunninging-point: Having little to say about human experience, it stay a effulgent object whose advantageously-formedness is its whole salvage. Of course, culturally and practically, for us, this is not the case. Its main excuse is that it is literary wagers, and as belles-lettres it ties us as readers to the whole structure of culture, including i) to the value which we attach, socially and culturally, to Culture ( richly culture), and ii) to the development necessary to p deviceicipate i n lofty culture and the values inherent in that learning, the idea of liberal counter for instance. As we read literature we be ourselves incorporate as subjects, having certain values and expectations. The verse form is a material produce -- in that respect it is, on the page, it required lick to throw it, it required work to negotiate its reproduction in a countersign, it required work to insert it into the lessen of cultural products -- the book had to be designed, marketed, and so forth. As a material product it takes its place in the circulation of value of the society. Adrienne cryptic gets prestige, she gets funds, she gets a more authoritative theatrical role in the governance of the culture, and so forth. all(prenominal) of the values which bide all of those factors atomic number 18 also inherent both in the rime and in the reading of the poem. It is implant textually and materially, as human race language and as public languages requirements and effec ts. simply as we argon structured by our reading of the poem in its ideological placement (as art, as a poem about art as the behavior of the spirit, as lofty culture), we mystify these genuinely material conditions. Our feature reading is itself materially as well as ideologically located -- in this case we are reading it as members of a university, as people earning money for or give money for a course lead to a university degree, as those who perpetuate the inside(a) place of literature as a discourse saved from social office by its quality. auntie Jennifers screen utterly expresses the bourgois understanding of art and its place in culture, in every(prenominal) sense.