Cross-culturalism in film Essay Example | Topics and Well Written Essays - 1750 words

Cross-culturalism in film - Essay ExampleA great deal of what order of magnitude expects is framed within the messaging portrayed through media and film, much(prenominal) as in Hollywoods version of Joy Luck Club. Hollywood has a continued tendency to only feature idealized images of thin, young, blonde, and mostly obedient to somebody images of the female and is mostly blamed for unhealthy attitudes, but scientific theories have indicated that the process of shaping female identity, like any other concept of belong or right social thought, is a reciprocal process (Yglesias, 2005). Even though films portray the idealized concept of what a woman should be, it is up to women in the real humanity to define what they really be in order to help change the images they see in film to more than accurately reflect reality. However, an examination of a film that focuses on women and female identity, such as Joy Luck Club, illustrates that issues of female identity are much bigger in reali ty than they are shown on screen. This is made even more complex when women must consider issues such as tradition and self-fulfillment as they transition between two different cultures, as they do in the American-made film Joy Luck Club. An important concept to understand in such a study of cross-cultural female identity in film is the idea of the sociological imagination. This term is used to discuss the process through which people internally determine their rear end within society and helps shape how we will behave in different situations (Mills, 2000). As we play this cyclical game of determining our place in society and determining how we should behave in relation to that idea, whether we decide to act agree to what is expected of us or completely against it, will play a square role in how we create our own identity. When we internally link our personal experience with what we understand of cultural expectations, we begin to classify ourselves and others into different soc ial groups according to those beliefs. This sociological imagination builds upon three observable aspects of being which include class, race and gender (Mills, 2000). Race and gender are pretty self-explanatory, but class may need a bit more definition. According to Mills (2000), the persons profession, their income level, their education, and several other elements considered desirable by a given culture can compute into the concept of class. Within the Western European and American cultures, for example, class is given to people who have a high level of education, dress in high-priced clothing, and who have a career conducted from within a private office are considered to have more class than people who dont dress well or who have trouble articulating their thoughts. Since it doesnt necessarily follow that people who dress well and speak clearly make more money or have more power than people who dress poorly and struggle to make their ideas clear, class is considered to be a hi ghly flexible and imprecise measure. The idea of class plays a significant role in the forming of female identity, though, as can be seen in Joy Luck Club. On a micro-level, the many female characters in the film can be